“Possibility No. 1: 12 Years a Slave gets best picture. Possibility No. 2: you’re all racists.” – Ellen Degeneres, the militant lesbian host of the 2014 Academy Awards, in her opening speech.
You would be hard pressed to find anything that illustrates the anti-White agenda of the Jews as clearly as the Academy Awards, also known as the ‘Oscars.’ Many films that have been extremely destructive to our people have been heaped with these awards over the years.
Teaching us Whites to feel guilty while simultaneously teaching non-Whites to hate us is a very “Oscar-worthy” endeavor in Jewish Hollywood.
This year’s big winner was 12 Years a Slave, a film depicting slavery in the antebellum south. It portrays Blacks as helpless victims being psychologically and physically abused relentlessly by their vicious, whip-cracking White slave masters.
In reality, most Blacks were treated very well by the White Christian southern slave owners, and many were worse off after slavery was abolished. They had already been enslaved in Africa by rival tribes and ended up with an exponentially better life here in America than they could have ever even dreamt of in Africa.
The practice of slavery is in no way exclusive to the White race. Every race has done it at one time or another. Some are still practicing it to this day, including the Jews in Israel and the Blacks in Africa.
Movies like 12 Years a Slave incite hatred in Blacks, encouraging them to brutally attack, murder and rape Whites on a daily basis. The Jewish run “politically correct” liberal mass media deliberately covers up as many of these hate crimes as possible, while emphasizing every story of a White on Black crime they can find.
Blacks and Jews both realize that they benefit from making us feel like we owe them something, so they will never quit making movies like this until we stop falling for the propaganda contained in them. They will continue to beat us over the head with what we supposedly did to them in the past until they have taken absolutely everything that we have. We are almost there already.
“Thank you to the Academy for this incredible recognition. It doesn’t escape me for one moment that so much joy in my life is thanks to so much pain in someone else’s. And so I want to salute the spirit of Patsey for her guidance.” – Lupita Nyong’o to tens of millions of guilty feeling Whites in her Best Supporting Actress Oscar acceptance speech for 12 Years a Slave.
Here I will list a few more of the anti-White films that have received Academy Awards throughout the years. It should prove useful for showing people who don’t want to believe it that the Jews in Hollywood have an agenda that is deliberately harmful to us.
Way back in 1966, the film adaptation of the popular stage play West Side Story received 10 Academy Awards including Best Picture and Best Director. West Side Story is about American Whites in New York that don’t want Puerto Ricans pouring into their neighborhood. It is supposed to be a social commentary on how racist and intolerant White people are toward “people of color.”
The story was penned by the Jew Arthur Laurents, with the music provided by Jews Leonard Bernstein and Stephen Sondheim. The original conception of the play involved Catholics fighting with Jews, and contained heavy references to the alleged Holocaust. The adaptation was directed by Jews Robert Wise and Jerome Robbins. The Jew Stephen Spielberg is presently working on a remake of it.
The clear agenda behind the movie is to get us White people to feel guilty for objecting to non-Whites overrunning our living space. This theme of White “racism” being evil and irrational is a very common and consistent message of anti-White Jew Hollywood.
Many Whites are afraid to even think racial thoughts anymore because they have been so programmed to feel ashamed of them. Even as they witness with their own eyes the damage being done by the non-White hordes moving in on their territory, they suppress their natural instincts and accept it, thanks to propaganda films like West Side Story.
Puerto Ricans in West Side Story
Puerto Ricans in real life. Accepting them into our neighborhoods in any significant numbers guarantees – without exception – a rise in crime and the lowering of living standards. No amount of liberal Hollywood brainwashing will ever change that fact.
Produced by the vile Jewish Weinstein Brothers, Inglourious Basterds is a violent, over-the-top, anti-German “revenge” film that features American and Jewish soldiers sadistically butchering Nazis during the second World War. It was nominated for 8 Academy Awards and won two – one for actor Christopher Waltz who played the main Nazi villain, one for Quentin Tarantino for Best Director.
The Jews constantly remind us of the so-called suffering they went through at the hands of the Nazis during World War II – a complete inversion of the truth – in order to make us feel sympathy toward them and feel guilty for being White. Many Whites have been propagandized to the point where they can watch a movie like Inglourious Basterds and actually cheer on the slaughter of their own people.
“I have a message for Germany. That you are all going to die. And I want you to look deep into the face of the Jew that is going to do it!” – Jewess on a movie screen in Inglourious Basterds right before a theater full of Germans are indiscriminately burned alive.
“As your producing partner, I thank you, and as a member of the Jewish tribe, I thank you, motherfucker, because this movie is a fucking Jewish wet dream.” Tarantino’s producer, Lawrence Bender, congratulating him after reading the first draft of Inglourious Basterds.
“It’s almost a deep sexual satisfaction of wanting to beat Nazis to death, an orgasmic feeling. My character gets to beat Nazis to death. That’s something I could watch all day.” – Jewish ‘Torture Porn’ director/actor Eli Roth on his role as the “Bear Jew” in Inglourious Basterds
“The Jewish males that I’ve known since I’ve been writing the film and telling them about it, they’ve just been, ‘Man, I can’t fucking wait for this fucking movie!’” – Quentin Tarantino on his anti-German hate film Inglourious Basterds
In the second (but apparently not last) kill whitey film by Jew-lover Tarantino, instead of White Germans being brutally slaughtered by Jews, we see White American southerners getting brutally slaughtered by a former slave.
Christopher Waltz (whose son is a Rabbi) won an Oscar yet again for playing Dr. King Schultz, the only positively portrayed White in the entire movie. Schultz helps Django become free and then he and Django proceed to kill every single White person in the movie, all of whom are shown as being cartoonishly evil and backwards.
If there was one way to gauge how far we have fallen as a people, the fact that this movie was even allowed to be made would be it. Not only was the movie made, it was not even met with any outrage. On the contrary – a large portion of the American population of self-hating, brainwashed White idiots actually paid to see it and thought it was hip and edgy.
The power of Jewish propaganda is mind-blowing.
“I kill ALL the White people in the movie. How great is that?” – Jamie Foxx to a cheering SNL audience on his role in Django Unchained.
The character Minny Jackson in the movie The Help bakes her own feces into a chocolate pie and then feeds it to a White woman. This performance landed Octavia Spencer the Academy Award for Best Supporting Actress in 2011.
“Eat my shit. Eat….my…..shit.” – Minny Jackson to the White person that she had just literally fed her own shit to in The Help.
Daily Stormer columnist Clement Pulaski has pointed out that the movie about a White/Black interracial relationship called Guess Who’s Coming to Dinner? has played a crucial role in tricking American Whites into accepting (and even miscegenating with) Blacks:
Instead of presenting non-whites as they really are, we are given an idealized black man, acceptable and likeable in every way, different from us only in the color of his skin. Of course this does not come remotely close to the truth about the Negro race, as is obvious to anyone who has driven through a black neighborhood. But in our modern world of mass media consumption, the representation of reality seen in TV and movies overpowers our own personal experiences. Guess Who’s Coming to Dinner is one of many instances of the “perfect black man” character, a media illusion that was absolutely essential to bringing about the full acceptance of blacks.
Guess Who’s Coming to Dinner? won the Oscar for Best Actress in a Leading Role and Best Screenplay and was nominated for 8 others awards.
Sidney Poitier in the movie Guess Who’s Coming to Dinner?
Typical American Blacks in real life.
On top of the anti-Whtie hatred coming out of the film industry, the Jews also attempt to force their own sexual values upon us. In Hollywood, there is an unholy alliance between Jews and homosexuals (all Hollywood studios are run by Jews or homosexuals – or homosexual Jews). Both have it in their groups best interest to destroy our society by undermining the traditional morality of the White Christian majority. They have been using their influence in Hollywood to do just that for a long time now, a fact that should be painfully obvious to everyone at this point.
Once they turn us all into a bunch of degenerates, completely disconnected with one another, the homos will be able to flaunt their butt-buggery in the open without anybody giving them a second thought and the Jews will be able to rule over us with an iron fist because we won’t be able to organize well enough to compete with them. We’re pretty much at that point already.
Try to organize for White interests and you are branded a White supremacist, Nazi who wants to kill six million Jews. Hurt a queer’s feelings and you are smeared as an intolerant, hate-filled bigot.
Tom Hanks as an AIDS-riddled queer with lesions all over his body in Philadelphia. Won Academy Award for Best Actor – 1995
Philip Seymour Hoffman as a flaming queer novelist in Capote. Won Academy Award for Best Actor – 2005
Sean Penn as flamboyant, child-abusing, homosexual politician in Milk. Won Academy Award for Best Actor – 2008 (they forgot to mention Harvey Milk’s pederasty in the film).
Jared Leto as mentally deranged transexual freak who befriends the ex-racist, AIDS-inflicted Matthew McConaughey and shows him how great it is to be “tolerant” of degenerate perverts, in the movie Dallas Buyer’s Club. Won Academy Award for Best Supporting Actor – 2014.
Schindler’s List, winner of 7 Academy Awards, was directed by the Jew Steven Spielberg. It is a depiction of an historical event that never actually really happened – the so-called Holocaust of the Jews.
The Holocaust story is simply a fairy tale, roughly based on allied propaganda conjured up at the end of the second world war as a way to justify the deaths of 80 million people and the destruction of National Socialist Germany. Europe was still littered with the corpses of tens of millions of the best of our people when the Jews began rewriting history to portray themselves as the primary victims of the war. The initial fantasy was solidified at Nuremberg and they have since had to continue to expand this mythology in order to justify their ongoing victim status.
Schindler’s List is probably one of the most insidious pieces of propaganda ever created. Most of what people think they know about WWII they got from Hollywood productions such as this: Evil Nazis killed a whole bunch of poor, defenseless Jews.
Never mind the fact that no such list as the movie shows ever existed, or that Oskar Schindler’s wife and pretty much everyone that knew him said he was actually a scumbag and that the movie is nothing but lies.
The Jews understand well that emotionally-driven propaganda is much more powerful and effective than books and cold hard facts for brainwashing masses of people.
“What did I think? I’ll tell you. Scheisskopf [shithead].” – Emilie Schindler on her late husband, Oskar.
is another anti-White film by the vicious enemy Jew Steven Spielberg. It won two Oscars, including Best Actor for the Jewish actor who played Lincoln, Daniel Day-Lewis.
Of course, Lincoln and his Yankee cohorts are shown in the movie to be bastions of morality, while the south is portrayed as a sea of racist White bigots. In reality, Lincoln was a hardcore racist who saw Blacks as inferior to Whites and wanted to send them back to Africa.
From Lincoln’s fourth debate with Stephen A. Douglas at Charleston, Illinois, September 18, 1858:
I will say then that I am not, nor ever have been in favor of bringing about in anyway the social and political equality of the white and black races – that I am not nor ever have been in favor of making voters or jurors of negroes, nor of qualifying them to hold office, nor to intermarry with white people; and I will say in addition to this that there is a physical difference between the white and black races which I believe will forever forbid the two races living together on terms of social and political equality. And inasmuch as they cannot so live, while they do remain together there must be the position of superior and inferior, and I as much as any other man am in favor of having the superior position assigned to the white race. I say upon this occasion I do not perceive that because the white man is to have the superior position the negro should be denied everything.
Slavery was just the excuse used to invade and destroy the Confederacy for resisting the tyranny of the Federal Government. The states had already begun phasing out slavery anyway, and the Blacks would have been much better off being slowly assimilated into society rather than being thrown out on their own while the majority of them were still illiterate.
“I have no purpose directly or indirectly to interfere with the institution of slavery in the states where it exists. I believe I have no lawful right to do so, and I have no inclination to do so.” – Abraham Lincoln at Ottawa University, August 21, 1858.
Then we have Dances With Wolves, a movie about a decorated Civil War soldier who defects to an Indian tribe and begins to shed his “White man’s ways.” It’s the same pattern all over again. You are meant to feel sympathy for the Indians and disgust at the your own people for defeating them and “taking their land.” Dances With Wolves won 7 Oscars and was nominated for 12.
Feeling guilty for winning a war is an absolutely unprecedented, suicidal psychosis that is exclusive to the White race in modern times only. No other race has ever felt guilty for defeating another race in a war, and it would be probably be impossible to make them do so.
At the 2012 American Renassiance conference, David Yeagley, great-great grandson of the Comanche Chief Bad Eagle, devlivered the following message to a room full of White racialists:
The white man’s conquests were no different from those of the Comanche; they were just better and on a larger scale. I don’t have any hard feelings about being beaten by real warriors. I don’t want to identify with professional Indian belly-achers. How can you give this land you took from us by force to [non-Whites]? I won’t let you do that. Be as strong as you can be, because whatever it is you have, someone will take from you. That is the law of the jungle and the law of the prairie. If you value what you have, and you value what you are, you must be prepared to fight.
Every single country on the face of the earth was founded upon conquest. Every single race on the face of the earth has conquered another race. Survival of the strong is the most basic law of nature. The North American continent was made up of countless warring Indian tribes that were already conquering and genociding one another long before the European White man ever showed up.
The Sioux Indians, immortalized as contemplative and peaceful in Coster’s film, would strip naked the bodies of the defeated after a battle and mutilate them, including cutting off their penises, as they believed this meant their souls would never be able to rest.
This list could go on, but I imagine you get the picture by now.
We are not going to survive as a people unless we shake off this Hollywood-induced White guilt complex and stop being afraid of being called a “racist.”
No other race in history has ever suffered as much as the White race did at the hands of the Jews in the 20th century, yet we have been brainwashed into believing that we are the historic victimizer of all other peoples.
Non-White populations are exploding right now, while ours is diminishing at an alarming rate. Whites were 33% of the global population 100 years ago, now we are 7%. Our birthrate has dropped below replacement level and all of our territory is being invaded and taken over by millions upon millions of hostile foreigners.
Sixty-six million White Russians were slaughtered by Jewish Bolsheviks between 1917 and 1991. Between seven and ten million White Ukrainians were starved to death in the Jew-orchestrated terror-famine known as the ‘Holodomor’ in 1932-1933. Eighty million died in WWII to save Jewish power from Hitler and another 10-15 million Whites died in WWI so the Jews could grab Palestine (the Jews of course also managed to make hundreds of millions of dollars off both conflicts).
Countless Whites have been slaughtered by Black savages since the “civil rights” era and tens of thousands of White women are raped by Black men every year. In 2005, 37,000 White women were raped by Black men in this country, according to official FBI crime statistics. That’s one White woman being held down, stripped of her clothes and forced to engage in sexual intercourse with a violent jungle animal every 15 minutes, on average. Those of us who are fighting to bring these facts to life are demonized as the most evil people that have ever walked the earth.
Of course, it is not in our nature as Whites to whine about truths such as these and attempt play the victim card. Unlike Jews and other non-Whites, we accept our past sufferings and move forward like men without asking for, or expecting, sympathy or handouts from anyone.
We want one thing and one thing only and that is to liberate our race from the death-grip of the Jews and secure the existence of our people and a future for White children.
The first step is saying “no” to the Hollywood noise machine.